In Kanehsatake: 270 Years of Resistance, Alanis Obomsawin skillfully presents the tense situation behind the lines with compassion towards the Indigenous people while not demonising the police and armed forces.
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The girls just go crazy for Canuck crooner Paul Anka in Lonely Boy. Drawing upon the observational practices of the NFB’s Candid Eye series and appearing within the global movement of cinema
Keep ReadingJennifer Baichwal’s Manufactured Landscapes opens with a cinematic coup. An eight-minute tracking shot slowly sweeps across a factory floor in China.
Keep Readings the first Vietnam documentary of its kind, Beryl Fox's The Mills of the Gods inevitably met a divisive reaction, yet the impact of her work can be measured in the prizes
Keep ReadingCommissioned as a documentary about the director’s prairie hometown, My Winnipeg proceeds from the simple premise that a city is nothing without its ghosts: the mass of memories, legends and fictions that
Keep ReadingNails is a doc in four movements. This gorgeously shot and edited Oscar-nominated short by Phillip Borsos tracks the life of a spike in the preindustrial and industrial periods.
Keep ReadingIn New Shoes, Ann Marie Fleming points a camera at her subject, seated at the kitchen table with some tea. The woman swiftly tells her story of physical and emotional harassment with
Keep ReadingUnderstanding the value of a first impression, Graeme Ferguson ensured that IMAX made a doozy of one. This groundbreaking short doc is a true Canadian thrill ride.
Keep ReadingTo make the mesmerising Picture of Light, Peter Mettler undertook a quixotic quest to capture one of the natural world’s most famous and dazzling spectacles, the northern lights.
Keep ReadingDocumentaries may record quotidian reality but, at their best, they aspire to poetry. There’s an image in Pour la suite du monde, which achieves the clarity and vision of truly transcendent cinema.
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