A Cambodian Spring (UK, 121 minutes) Dir. Chris Kelly Programme: International Spectrum (World Premiere) A visceral, complex film that should come with a “For further study” list, A Cambodian Spring was
Keep ReadingThe Force (USA, 93 min.) Dir. Peter Nicks Programme: World Showcase (Canadian Premiere) It’s often easy for verité filmmakers to become so precious about their technique that they lose track of
Keep ReadingQuest (USA, 107 min.) Dir. Jonathan Olshefski Programme: World Showcase (International Premiere) Quest may be one of the most important films about the American experience ever filmed. A wonderful, captivating portrayal
Keep ReadingI Am Another You (USA, 85 min.) dir. Nanfu Wang Programme: International Spectrum (International Premiere) I Am Another You is an intricately layered, visually seductive exploration of the longing for absolute
Keep ReadingChasing Coral (USA, 93 min.) Dir. Jeff Orlowsi Programme: Special Presentations (International Premiere) In a cinematic landscape teeming with environmental advocacy docs calling attention to the woes of climate change, Chasing
Keep ReadingEye, Camera (USA, 17 min.) Programme: Singular Sensations In 2005, artist Tanya Vlach lost her eye in a car accident. Looking towards artistic influences, such as science fiction or superhero narratives,
Keep ReadingThe Monster (Sweden, 29 min.) Dirs. Lisa Gustafsson & Johan Palmgren Programme: Magnificent Obsessions (International Premiere) Putting a new spin on the term “blood lust,” Lisa Gustafsson and Johan Palmgren’s new
Keep ReadingRumble: Indians Who Rocked The World (Canada, 103 min.) Dir. Catherine Bainbridge, Alfonso Maiorana Programme: Special Presentations (Canadian Premiere) As a music film this talking-head style documentary may not break much
Keep ReadingMommy Dead and Dearest (USA, 82 min.) Dir. Erin Lee Carr Programme: Special Presentations (International Premiere) Fans of true crime must see Mommy Dead and Dearest. If documentaries such as Amanda
Keep ReadingLast Men in Aleppo (Denmark, 104 min.) Dir. Feras Fayyad Programme: World Showcase (Canadian Premiere) Somewhat better than last year’s slick, saccharine Oscar-winner The White Helmets, Last Men in Aleppo treads
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