"When I wrote the story I hoped this film would affect contemporary women. It’s not just a story from the past," says Claude Demers.
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“I hope the film will reframe the idea of criminals in the U.S and also help people understand the criminalization of drugs and political prisoners,” says Mia Donovan. on her experience with
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“The system really failed them," says The Dakota Entrapment Tapes director about his chilling true crime documentary about a family's search for closure, truth, and justice.
Keep ReadingZero (Japan, 128 min.) Dir. Kazuhiro Soda Programme: World Showcase 12 years ago, director Kazuhiro Soda made a film that took you deep into the Chorale Okayama Clinic, a poor people’s mental
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Acclaimed director Steve James discusses City So Real, his new doc-series about Chicago’s mayoral election, along with some thoughts on The Wire, Hoop Dreams, and avoiding gotcha moments.
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Sona Mohapatra makes an assertion early in Shut Up Sona, filmmaker Deepti Gupta’s gripping profile of her. The singer says she’s a performer first, and an activist second.
Keep ReadingThe Wall of Shadows (Poland/Germany/Switzerland, 94 min.) Dir. Eliza Kubarska Program: International Spectrum Every film festival seems to have an obligatory slot reserved for a “mountain movie.” The film can whisk audiences
Keep ReadingLove and Fury (USA, 89 min.) Dir. Sterlin Harjo Program: Artscapes If one sits on a toilet and farts, can said flatulence be performance art? Such a question crossed this reviewer’s mind
Keep ReadingThe Walrus and the Whistleblower (Canada, 89 min.) Dir. Nathalie Bibeau Program: Canadian Spectrum “Everyone loooooves Marineland!” The cheesy jingle for Niagara Falls waterpark Marineland is as reliable a staple of Canadian
Keep ReadingFadma: Even Ants Have Wings (Morocco/Belgium, 80 min.) Dir. Jawad Rhalib Programme: International Spectrum In a small community in the High Atlas of Morocco, villagers go about their daily lives, which are
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