The international juries at Hot Docs this year favoured slow cinéma vérité If the feature winner Ostrov – Lost Island exemplifies the limitations of the art form with its lethargic portrait of
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Shannon Walsh's eye-opening film asks how much we’re willing to pay so that others can enjoy a more equitable life.
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Behind your favourite app is an army of invisible workers. Drivers and delivery services ensure we get our food on time and that we’re never late for a meeting. In countries worldwide,
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Someone Like Me and One of Ours intimately confront identity and belonging.
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Elle-Máijá Tailfeathers’ Kímmapiiyipitssini: The Meaning of Empathy weaves together a broad portrait of the impact of settler colonialism on Blackfoot people, through firsthand experiences of people with substance use disorder, and the
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Intense hard rock. Searing guitar solos. Serious strutting on stage with no sexual posturing. These aren’t things you often associate with female musicians. So props to Bobbi Jo Hart, whose documentary Fanny:
Keep ReadingShort documentaries at DOXA include On Falling, Clebs/Mutts, Lichen, Red Robinson, Home Cooking, The Return, and HIV: Healing Inner Voices.
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The 2020 edition of Vancouver’s DOXA Documentary Festival follows on the heels of Toronto’s Hot Docs by shifting its annual gathering into a streaming event.
Keep ReadingLong before a certain obstreperous blowhard vowed to make America great again, Vancouverite Harry Rankin endeavoured to do the same for his beloved city.
Keep ReadingJoële Walinga observes her mother's fight with cancer with subtlety and grace in God Straightens Legs
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