An interview with Dahomey director Mati Diop about her documentary that observes the repatriation of Beninese artwork returning from France.
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Self-Portrait as a Coffee Pot, William Kentridge's dizzying series, captures a period of isolation and awakening during the lockdown days.
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Mati Diop offers an enigmatic consideration of the ghosts of colonialism that haunt the present as artworks return to Africa in Dahomey.
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Nelson Carlo de los Santos Arias crafts a unique tale of a hippopotamus and Colombia's colonial history in Pepe.
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The Soldier's Lagoon is poetic non-fiction film that deftly considers the history embedded within Colombia's landscape.
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The Battle for Laikipia observes a brewing conflict in which Samburu pastoralists and white ranchers in Kenya clash over farmland and a way of life.
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The Mission sees Jesse Moss and Amanda McBaine investigate the 2018 death of John Chau, who was killed while on mission to the isolated population of North Sentinel Island.
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Deanna Bowen's installationBlack Drones in the Hive reveals Canada's racist past.
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Kanaval: A People's History of Haiti in Six Chapters delivers a nuanced and immersive celebration of Carnival with a rich cinematic essay.
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Ciné-Guerrillas: Scenes from the Labudović Reels sees director Mila Turajic revisit the resistance to the French Occupation in Algeria through an archive of newsreels.
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