Blue Island explores what it means (and has meant) to be a Hongkonger over the last 150 years in the shadow of mainland China.
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Eternal Spring is an animated documentary in which Chinese artist Daxiong revisits his participation in a 2002 hijacking of a TV station.
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Coded Bias director Shalini Kantayya explores the rise of the social media app TikTok and its hugely popular viral videos in TikTok, Boom.
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The Exiles revisits Christine Choy's documentation of the Tiananmen Square Massacre via a look back with the artist and the activists she filmed.
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Jessica Kingdon's Ascension is a striking visual essay about the fallacy of dreams and human costs of capitalism.
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An interview with In the Same Breath director Nanfu Wang on documenting censorship, surveillance, propaganda, and misinformation through the lens of COVID-19.
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“Chinese rock ‘n’ roll is like a rolling egg,” says musician Cui Jian at the end of You Are the Days to Come. “Yet, we have not been broken or harmed. I
Keep ReadingSwimming Out Till The Sea Turns Blue (China, 112 min.) Dir. Jia Zhang-ke Faces are the recurring interest of Jia Zhang-ke’s Swimming Out Till The Sea Turns Blue, the director’s third film in
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76 Days director Hao Wu discusses his film that takes audiences to the front lines of the coronavirus pandemic with an urgent cinema verité portrait of the outbreak in Wuhan.
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Bring the biggest box of Kleenex you can find to One Child Nation. This devastatingly powerful film, which won the Grand Jury Prize at Sundance this year, is an absorbing, eye-opening, and
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