“In my dreams I harvest my realities into film dreams.” Phil Hoffman never said those words to me, but here’s why I dreamt he could have. Hoffman Harvests a Film Culture Late June in Ontario is synonymous with the harvest of luscious field strawberries. Eager city folks flock to rural ‘pick-your-own’ outlets such as Andrew’s Berry
Documentary Culture
I’m sitting on free transit in Park City, Utah, watching the warm sun recede over the pristine ski-hilled Wasatch Mountains, talking to young Gabrielle. She’s a blond, brown-eyed, squeaky-clean, super-nice, single-mom Utah native who’s taken three weeks off work to volunteer for the 2005 Sundance Film Festival. I’m on my way to my first screening
Many filmmakers make documentaries but there are few countries where they have the freedom and opportunity to so consistently shine a light on all the foibles, injustices and controversies of their society as they do in Israel. Films like David Ofek’s No. 17, which explores the aftermath of a suicide bombing and one unclaimed, unidentified victim,
Since their splashy beginning fifteen years ago with the “non-fiction movie” The Falls, Primitive has beena major force in documentary production. They’ve built their enviable reputation for integrity and innovation with such important point-of-view docs as In the Reign of Twilight, Intelligence, Cod: the fish that changed the world and McLuhan’s Wake. Kevin McMahon’s impressive skills as a writer and director
What has happened to the fabulous festival bag? And I don’t mean the aged blonde puffing away on the terrace, martini in one hand, cellphone in the other. Long gone are the weighty corporate satchels with multi-pockets, flaps and key chains. We’ve grown accustomed to the refreshing urban sidewalk look of casual mail bags—or in
BRITISH COLUMBIA — Katherine Dodds Paris Stories Paris Stories, The Fiction of Mavis Gallant tells the story of Canada’s famously “unknown” writer. One of The New Yorker’s most frequently published short story writers, Gallant often appears in anthologies of great American writers. A Montrealer who has been living in Paris since 1950 yet writes in English, Gallant has
High Def and Standard Def The existing North American system for broadcasting is called NTSC. This is now known as “Standard Definition”. “High Definition” is a totally new standard requiring different cameras, capture mediums, playback machines, transmission facilities and TVs. The broadcast term “Digital TV” can also be misunderstood. Standard Def can be delivered in
Ah, memories of Oscar, from Audrey Hepburn hiking up her dress to show NFB director Eunice Macaulay her outrageously high heels, to Oscar winning NFB animators, up on the big stage, frozen like deer in the headlights. Would they talk? Would they faint? No one knew! NFB animation at the Oscars has an exciting history. But
Media activists Stephen Marshall and Anthony Lappé’s first book, True Lies, packs enough journalistic punch and insight to shake to the core even those who have been paying close attention to the political scene in the United States for the last four years. In it, they posit that a combination of the Necessary Illusions that
Jorgen Leth: Translucent Being The Five Obstructions, a movie made with (and despite) Lars Von Trier, has pushed Jorgen Leth further into visibility on the global stage but there are long lines of light that led to that renowned collaboration. His coolly observational moments are the result of a restrained celebration, an embrace that knows