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See the Best Docs on the Big Screen at Hot Docs Ted Rogers Cinema

Nicholas Gergesha

REVIEW: Love Me

by Nicholas Gergesha
May 1, 2014
Hot Docs/Reviews

Love Me follows a host of characters who, for one reason or another, decide to look online and travel overseas to Ukraine to find love.

Keep Reading

REVIEW: Ukraine is Not a Brothel

by Nicholas Gergesha
May 1, 2014
Hot Docs/Reviews

Ukraine Is Not a Brothel hinges on a third act twist that is absolutely fascinating, and ultimately throws into question all we understand about FEMEN.

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REVIEW: Velvet Terrorists

by Nicholas Gergesha
April 30, 2014
Hot Docs/Reviews

Velvet Terrorists offers fascinating character studies three rebels, who fought the old Communist regime in Czechoslovakia and lived to tell their tales.

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Focus on Education 2013-14: Report from Ontario & Manitoba

by Nicholas Gergesha
February 19, 2014
Features

A lot can change in the span of a decade. During this time film studies at the University of Toronto has progressed from a college-controlled programme into an independent Cinema Studies Institute.

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Hot Docs 2013: Oil Sands Karaoke

by Nicholas Gergesha
April 23, 2013
Features/Hot Docs

Oil Sands Karaoke offers a humanizing look at a town that has experienced unprecedented growth due to the environmentally dangerous oil industry.

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Hot Docs 2013: Occupy – The Movie

by Nicholas Gergesha
April 23, 2013
Features/Hot Docs

Occupy: The Movie is a kind of balancing act, and time will tell if its large scope elicits the same impassioned responses Occupy: The Movement did.

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Canadian Film School Survey 2012: Report from Ontario and Manitoba

by Nicholas Gergesha
November 20, 2012
Features

POV's 2012 Focus on Education survey looks at Ryerson, York, University of Winnipeg, Carleton, and Innis College at the University of Toronto.

Keep Reading

In Review: Shoot It!

by Nicholas Gergesha
April 2, 2012
Reviews

Shoot It!: Hollywood Inc. and the Rising of Independent Film by film journalist David Spaner, ambitiously explores international indie movements from the 1940s onward.

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Prime Minster Brian Mulroney appears in a fantastical image. He is pictured from the waist up wearing a flamboyant Liberace-style coat. There is a dazzling background behind him with campaign signs. He looks pale and a bit like a vampire.

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A man wearing an orange jumpsuit, with a yellow V atop the chest and shoulders, stands up through a car's sun roof. He is wearing sunglasses and has his arms spread over the roof of the car.

How The Stunt Driver Reimagines an NFB Ken Carter Documentary

September 5, 2026
A young woman sits at the foreground of the frame looking off to the left. Her mother is behind her, sitting on a white horse. The rolling pasturelands are in the background.

To Hold a Mountain Set to Open RIDM 2026

September 3, 2026
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National Film Board of Canada Announces 16 Projects for Funding

September 3, 2026
Diana Sanchez, pictured on the left, is a Latina-Canadian wearing a black blazer and blue suit. She is facing the camera, positioned to her side, and has her left hand raised slightly above her chest. Mara Gourd-Mercado, pictured on the right, is a Latina-Canadian woman pictured in close up. She is wearing a white collared short and is looking directly into the camera.

Hot Docs Boosts Diana Sanchez to President, Mara Gourd-Mercado Joins as E.D.

September 2, 2026
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Revisiting Impressions

August 31, 2026

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Prime Minster Brian Mulroney appears in a fantastical image. He is pictured from the waist up wearing a flamboyant Liberace-style coat. There is a dazzling background behind him with campaign signs. He looks pale and a bit like a vampire.

CURRENT ISSUE

Issue 126: Fall/Winter 2026

Ladies and Gentlemen, Brian Mulroney is Matthew Rankin's irreverent docufantasia about Canada's 18th PM.

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