Issue 97 - Spring 2015
Kevin Nikkel’s On the Trail of the Far Fur Country revisits images from the Hudson’s Bay Company archives and considers the Inuit history contained within images.
It’s unlikely many know the names of the cultural warriors who toil on our collective behalf, so let me shine the spotlight of this page on one of them: Lisa Fitzgibbons
Read MoreThe documentary highlights of TIFF 2014 hit a peak with Michael Moore's statement, “People want to go home and have sex after your movie,”
Read MoreHighlights from the 2014 Montreal International Documentary Festival (RIDM) include Citizenfour, National Gallery, Le nez, and Stray Dog.
Read MoreAlthough few conventional doc film projects get funded these days without some sort of interactive component, there are still plenty of grumblings among doc folk as to what all the fuss is about. Where are the familiar narrative tropes and
Read MoreKevin Nikkel's On the Trail of the Far Fur Country revisits old images from the Hudson Bay Company's archives and the Inuit history within.
Read MoreHarold Crooks discusses his documentary The Price We Pay, working with Brigitte Alepin, and the high cost of off-shore tax havens for Canada.
Read MoreBehind the scenes looks at Apocalypse Now, Fitzcarraldo, and Jodorowsky’s unfinished Dune reveal how docs about filmmaking can exceed the original films themselves.
Read MoreDoes the interactive digital documentary (directly or indirectly) negatively affect the traditional narrative documentary?
Read MoreGary Marcuse's films are notable for humanitarian reason, emotional listening, contextualized historical references and humanist psychology.
Read MoreAlthough there is nothing new in the content, Documentary succeeds as an important curatorial intervention.
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