Issue 72 - Winter 2008
Part 1 of our 2-part interview with John Walker on his career in documentary, plus we ask a pressing question: are film festivals becoming obsolete?
Frank Cole, the fearless maverick filmmaker, died in the Sahara in 2000. McSorley remembers him well.
Read MoreIn the documentary Fierce Light: When Spirit Meets Action, Velcrow Ripper sets out to document non-violent protests around the world.
Read MoreThe coming together of Cirque du Soleil and the Beatles in the stage show Love is recounted in Adrian Wills' All Together Now.
Read MoreComposer Robert Marcel Lepage shares his working philosophy with McKenzie in this extended Soundscaping column.
Read MoreAs digital disrupts conventional distribution models, what will happen to festivals in the age of online viewing habits?
Read MoreOver the course of a couple of days—in interviews conducted together in Toronto and then, via phone to Halifax from Ontario—John Walker shared stories with POV‘s editor, Marc Glassman. Here is the first of their tw-part interview.
Read MoreCurtis’s Charm marked the introduction of a major talent to Canadian filmmaking with director John L’Ecuyer
Read MoreIn asking Telefilm to exercise this power to compensate for a year’s worth of envelope investment lost, my intent is not to gain an unusual advantage over others, but to be treated equally.
Read MoreTehran Has No More Pomegranates, Waltz with Bashir, Les Plages d’Agnès, La Mémoire des Anges, and Of Time and the City consider place and time.
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