Issue 65 - Spring 2007
Celebrating the career of Alanis Obomsawin, one of Canada’s most prolific filmmakers and distinguished voices.
Nuit Blanche turned out to be more avant-garde than a new façade or exhibition space could hope to be because it was a gift of interconnectedness, a kind of “positive emotional activism.”
Read MoreIn a remarkable career that has just entered its fiftieth year, Allan King is among Canada's most distinguished filmmakers.
Read MoreAfter an artistic lifetime spent educating those of us who should have known of these things long ago, Obomsawin now wishes to return to the most important link in the chain and help provide them with the material they need
Read MoreEzra Winton’s documentary screening programme at Concordia University in Montreal regularly draws 400 people. How does he do it—and can it grow?
Read MoreOne of the most radical events in Toronto history, Nuit Blanche brought over 420,000 people on the street overnight to look at art.
Read MoreOne of the most radical events in Toronto history, Nuit Blanche brought over 420,000 people on the street overnight to look at art. Elia, Perdue and Cole tell the story of a night to remember.
Read MoreShih traces the rapid growth of Asian-Canadian filmmaking through the 10th anniversaries of festivals in Toronto and Vancouver.
Read MoreHaving attended the ZeroOne festival of electronic art and symposium of the Inter-Society for Electronic Art (ISEA), Wolfe reports on how new media will affect Canada’s indie scene in the coming few years.
Read MoreDocumentarians love to make earnest, socially engaged films about serious issues like the environment, but how is filmmaking sustainable?
Read MorePeter Wintonick offers a documentary manifesto to help filmmakers negotiate, prepare for, and survive a competitive field.
Read More