Issue 105 – Spring 2017

Issue 105 - Spring 2017

POV’s biggest issue ever offers an in-depth look at the history of Canada’s national art form: documentary! Generously sponsored by Reel Canada / National Canadian Film Day, the OMDC, the NFB and Henry’s Camera.

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Unsettling the Nation*

Film histories are highly selective and reflect the biases, tastes and viewing experiences of those who write them. I hope that my following sampling of inward-looking political and activist docs may help readers discern a cursory chronicle of doc dissent

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Real Queer

The queer connection to documentary filmmaking is longstanding and unmistakable. Around the world, fiction filmmakers have had to deal with a long history of censorship and repression, meaning images of LGBTQ characters were often diminished or simply deleted, rendering the queer

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Our Complicated Romance with the North

It’s a frigid February evening in Whitehorse when Tanya Tagaq takes the stage. She’s in a black dress and still buzzing from her recent Polaris Prize win. “I just want to tell the children in the audience that I’m going to make

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We Can Speak for Us

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When Greg Tourino, a science librarian at Simon Fraser University and former graduate cinema student was asked in BCLiving Magazine about his passion for Black Canadian film, his answer could stand for the last couple of generations of Afro-Caribbean Canadians.

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The World Before Us

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Let’s talk about some typical Canadian documentaries. Where do they take place? In rural India, where Hindu girls practice military drills and swear death to their religious enemies while their peers preen for the nation’s biggest beauty pageant a few

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