Watermark is a continuation of Burtynsky’s work, which is recognizable for his signature big-picture approach to photography and environmentalism.
Keep ReadingAn interview with Maya Gallus and Justine Pimlott on their work with Red Queen Productions with docs like Dish, Hot Rollers and Girl Inside.
Keep ReadingPOV editor Marc Glassman and Kevin McMahon debate the latter's revolutionary suggestion that documentary is Canada's national art form.
Keep ReadingWim Wenders discusses his documentary Pina, working in 3D, and his long career spanning documentary, drama, and hybrids of the two forms.
Keep ReadingIsacsson’s compassionate and committed documentaries embrace issues concerning ecology, the homeless and aboriginal rights.
Keep ReadingThe second part of a career-spanning interview with Peter Mettler discusses his early days as a cinematographer for such narrative filmmakers as Atom Egoyan and Patricia Rozema.
Keep ReadingIn part one of a career-spanning interview, Peter Mettler shares his thoughts about his work since Gambling, Gods, and LSD.
Keep ReadingAn in-depth interview with Daniel Cross and Mila Aung-Thwin of Montreal's EyeSteelFilm.
Keep ReadingPart two of Marc Glassman's interview with John Walker about Passage, Strand, and learning the art of documentary from the Crawleys.
Keep ReadingOver the course of a couple of days—in interviews conducted together in Toronto and then, via phone to Halifax from Ontario—John Walker shared stories with POV‘s editor, Marc Glassman. Here is the
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