With her films Jacinta and Baby Doe, Jessica Earnshaw has confidently introduced herself with deeply personal documentaries about families.
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El Equipo tells the story of a group of people who tried to change history for the better amid the rule of Argentina's military junta.
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If iPhones are the new cinema vérité, as Martin Scorsese suggests, then the true crime doc A Wolfpack Called Ernesto is the future.
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5 Broken Cameras director Guy Davidi explores the rise of suicide among Israeli youths related to mandatory military service in Innocence.
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Dominique Chaumont's impressive first feature Veranada observes an Argentinian farmer as his animals feel the effects of climate change.
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Dosed: The Trip of a Lifetime follows B.C. resident Laurie Brooks as she experiments with magic mushrooms to treat an aggressive cancer.
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In The Colour of Ink, Brian D. Johnson profiles artisanal ink-maker Jason Logan and his creative process of foraging for colours worldwide.
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Sam Soko and Lauren De Filippo examine the politics of universal basic income in Free Money as NGO GiveDirectly tries a pilot project in Africa.
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Adirley Queiros and Joana Pimenta craft an empowering, if occasionally disorienting, hybrid film with women from the Brazilian favelas in Dry Ground Burning.
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The winner of the 2017 Corus-Hot Docs Forum Pitch Prize, Israeli director Michal Weits’ Blue Box links her family story linked to bitter debates about Israel’s founding. The filmmaker’s great-grandfather, Joseph (Yosef)
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Set on the island of Madagascar, the experimental Zaho Zay is a hybrid documentary, drama and poetic reverie that defies paraphrase. Co-directed by French Malagasy filmmaker Maéva Ranaïvojaona, and Austrian filmmaker Georg
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