Before the Last Curtain Falls, Joy of Man’s Desiring, Self(less) Portrait and Guidelines comprise a telling cross-section of styles and strategies for non-fiction filmmaking
Keep ReadingIt’s been a big year for alumni of Concordia’s Film Production programme. Two former students have propelled themselves into the Oscar race.
Keep ReadingWith films like Lucien Castaing-Taylor and Véréna Paravel’s Leviathan, Harvard's Sensory Ethnography Lab (SEL) breaks ground for non-fiction.
Keep ReadingWith NCR: Not Criminally Responsible at Hot Docs, John Kastner’s films continue to be preoccupied with weightily Dostoyevskian themes.
Keep ReadingMost documentary film festival audiences go to the cinema in search of veracity. But only at the True/False Film Festival are they encouraged to sing about that desire.
Keep ReadingPaul Saltzman reflects on his films including The Last White Knight and Prom Night in Mississippi over cover at TIFF's Canteen.
Keep ReadingWhy Poverty?, an international crossmedia initiative that’s both a spiritual sequel to 2007’s successful Why Democracy? campaign and a freestanding initiative
Keep ReadingIn The End of Time, Peter Mettler displays his signature curious, roving gaze of an artist who has learned to believe his own eyes.
Keep ReadingHot Doc’s Canadian Spectrum is an eagerly anticipated survey of the current crop of Can-docs. Here’s the skinny.
Keep ReadingIt’s a well-worn critical cliché to say that a particular film is “as boring as watching paint dry." Does the Reel Artists Film Festival prove otherwise?
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