Before the Last Curtain Falls, Joy of Manβs Desiring, Self(less) Portrait and Guidelines comprise a telling cross-section of styles and strategies for non-fiction filmmaking
Keep ReadingItβs been a big year for alumni of Concordiaβs Film Production programme. Two former students have propelled themselves into the Oscar race.
Keep ReadingWith films like Lucien Castaing-Taylor and VΓ©rΓ©na Paravelβs Leviathan, Harvard's Sensory Ethnography Lab (SEL) breaks ground for non-fiction.
Keep ReadingWith NCR: Not Criminally Responsible at Hot Docs, John Kastnerβs films continue to be preoccupied with weightily Dostoyevskian themes.
Keep ReadingMost documentary film festival audiences go to the cinema in search of veracity. But only at the True/False Film Festival are they encouraged to sing about that desire.
Keep ReadingPaul Saltzman reflects on his films including The Last White Knight and Prom Night in Mississippi over cover at TIFF's Canteen.
Keep ReadingWhy Poverty?, an international crossmedia initiative thatβs both a spiritual sequel to 2007βs successful Why Democracy? campaign and a freestanding initiative
Keep ReadingIn The End of Time, Peter Mettler displays his signature curious, roving gaze of an artist who has learned to believe his own eyes.
Keep ReadingHot Docβs Canadian Spectrum is an eagerly anticipated survey of the current crop of Can-docs. Hereβs the skinny.
Keep ReadingItβs a well-worn critical clichΓ© to say that a particular film is βas boring as watching paint dry." Does the Reel Artists Film Festival prove otherwise?
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