Sandra Ignagni's Highway to Heaven: A Mosaic in One Mile observes a diversity of faiths that exist side by side on Richmond’s No. 5 Road. The director discusses her NFB doc ahead
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Red Penguins (USA, 80 min) Dir. Gabe Polsky Programme: TIFF Docs (World Premiere) In 2014 Gabe Polsky had a TIFF hit with Red Army, a terrific doc about the Soviet national team’s dominance of international hockey from the Fifties
Keep ReadingWestern Stars (USA, 83 min) Dir. Thom Zimny, Bruce Springsteen Programme: Galas (World Premiere) Over the last 24 months Bruce Springsteen has been on a reinvention of sorts. After the publication of
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Sanctuary director Álvaro Longoria discusses his new doc, which follows Javier Bardem and Carlos Bardem on a Greenpeace campaign for Antarctic marine sanctuaries, and how the power of celebrity can help a
Keep ReadingWomen Make Film: A New Road Movie Through Cinema (UK, 840 min.) Dir. Mark Cousins Programme: TIFF Docs (World Premiere) “Most of the recognized so-called movie classics were directed by men,” contends film historian
Keep ReadingBikram: Yogi, Guru, Predator (USA, 82 min.) Dir. Eva Orner Programme: TIFF Docs (World Premiere) Eva Orner delivers a pre-#MeToo tale for the #MeToo movement with Bikram: Yogi, Guru, Predator. The film is an incisive,
Keep ReadingDesert One (USA, 107 min.) Dir. Barbara Kopple Programme: TIFF Docs (World Premiere) If you think Argo is a thrill ride, you haven’t seen anything yet! Ben Affleck’s hugely entertaining Oscar winning film dramatizes the 1979
Keep ReadingLove Child (Denmark, 112 min) Dir. Eva Mulvad Two of the biggest issues in the world, border crossings and the fate of refugees, are at the heart of Love Child, Danish director Eva
Keep ReadingLetter to the Editor (USA, 88 min.) Dir. Alan Berliner Programme: TIFF Docs (World Premiere) Alan Berliner dubs himself a “cultural anthropologist,” a fitting term for a filmmaker fascinated by the way media reflects
Keep ReadingThe Cordillera of Dreams (Chile/France, 85 min) Dir. Patricio Guzman Patricio Guzman is a man obsessed with the past and who can blame him? When the director was young, he was a
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