Unfinished films, lost masterpieces, and stillborn projects assume new lives in documentary form. How The Other Side of the Wind, Shirkers, and Dune endure as non-fiction.
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“The mystery in Kane is largely fake…” — Pauline Kael, Raising Kane, 1971, on the “shallow masterpiece” Citizen Kane. “We Hanky Panky men have always been with you.” — Orson Welles, F for Fake. F
Keep ReadingAll the World’s a Screen conveys how the best cases of Shakespeare on film allow the contemporary to seep into a classic work.
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