Building critical, creative knowledge communities around both—seeing and knowing—will strengthen documentary and improve education.
Keep ReadingThe subject of Garry Beitel’s new feature-length doc, The “Socalled” Movie, Dolgin also ain’t no gangsta. Forget bling, bitches and a real sick Lexus.
Keep ReadingAn air of timeliness underscores any discussion of the 1958-60 Candid Eye cinema direct films made by the National Film Board’s Unit B.
Keep ReadingArtist-filmmaker Mark Lewis represents Canada at the Venice Biennale with a series of meditative films that were sponsored by the NFB. Are docs and art intertwining?
Keep ReadingThe NFB is central to B.C.’s indie doc sector. Eisner investigates the Board’s accomplishments and goals in Vancouver and beyond.
Keep ReadingCapturing Reality about the art of the documentary, is very much an homage to the NFB as well. Ferrari takes us through her memories of the films and filmmakers she interviewed for
Keep ReadingAt 76, Alanis Obomsawin is circling back to her early focus on language, education, and children. “I want to make a series of short children’s films,” she tells me.
Keep ReadingPioneers in interactive media among documentary filmmakers can inspire us through their successful projects at a time when broadcasters are losing audiences.
Keep ReadingWill Tom Perlmutter be up for the difficulties that lie ahead? Speaking to the NFB Commissioner, it’s clear that he’s ready to take on any fights that might come his way.
Keep ReadingProfiling Canadian film producer David Christensen from his rise as an independent to his new role with the National Film Board of Canada (NFB).
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