A pale-yellow convertible crawls down an open road. Fists pump in the air, flashes of grey hair billow in the wind. The trio at the core of pioneering rock band Fanny are
Keep ReadingMeet Josephine, Nightmare, and Jay. They’re three Danish goths in their early 20s who are learning how to feel confident in a society that doesn’t embrace their dark style and satanic spirit.
Keep ReadingThe international juries at Hot Docs this year favoured slow cinéma vérité If the feature winner Ostrov – Lost Island exemplifies the limitations of the art form with its lethargic portrait of
Keep ReadingSomeone Like Me and One of Ours intimately confront identity and belonging.
Keep ReadingDirector Isidore Bethel is on the rebound. He’s a young, attractive, and scruffy actor/filmmaker getting over a recent break-up with an older man. Bethel explains in voiceover that the May-December romance was
Keep ReadingNo Ordinary Man, which tells the story of American jazz pianist and trans man Billy Tipton, is no ordinary music documentary. Aisling Chin-Yee and Chase Joynt bring contemporary relevance by foregrounding present-day
Keep ReadingAn appreciation of late experimental film maverick Barbara Hammer who broke ground with formally inventive and daring works that emphasized lesbian visibility, including Superdyke, Maya Deren's Sink, and A Horse Is Not
Keep ReadingPortrait of artist provocative artist David Wojnarowicz conveys the necessity of going all in.
Keep Reading"It felt like I was watching freedom on the stage—these beautiful diverse bodies in motion. It felt like an opening, like I was leaning in the whole evening and it just stayed
Keep ReadingSundance reviews for Flee ("documents the unfilmable"), Rebel Hearts ("entertaining and vivid"), and The Most Beautiful Boy in the World ("adopts an undercurrent of homophobia").
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