"It felt like I was watching freedom on the stage—these beautiful diverse bodies in motion. It felt like an opening, like I was leaning in the whole evening and it just stayed
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Sundance reviews for Flee ("documents the unfilmable"), Rebel Hearts ("entertaining and vivid"), and The Most Beautiful Boy in the World ("adopts an undercurrent of homophobia").
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"There are so many parallels to now. There’s a whole other movement that’s happening, just like the empowerment of people back in the ‘60s and the excitement at the times with a
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On World AIDS Day, films like
Keep ReadingThe streets of São Paulo erupt in performance, colour, and conversation in Southern Sorceresses. Less of a cohesive narrative and more of a kaleidoscopic portrait, the film is an invigorating glimpse into
Keep ReadingIf It Were Love (Si c‘était de l’amour) (France, 82 min.) Dir. Patric Chiha Hot, sweaty, and hypnotic, If It Were Love stages an intimate seduction. Patric Chiha’s doc, which won the Teddy for
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No Ordinary Man brilliantly rewrites the past as directors Aisling Chin-Yee and Chase Joynt and writer Amos Mac correct the story of jazz musician Billy Tipton through voices he inspired.
Keep ReadingThe Fight (USA, 96 min.) Dir. Elyse Steinberg, Josh Kriegman, Eli Despres After wowing the documentary crowd with their portrait of an errant Weiner, Elyse Steinberg, Josh Kriegman, and Eli Despres chronicle
Keep ReadingAlways Amber (Sweden, 75 min.) Dir. Hannah Reinikainen Bergeman & Lia Hietala Program: The Changing Face of Europe Enhanced Snapchat portraits, Instagram profiles and grainy selfie-videos of the titular protagonist Amber move
Keep ReadingKeyboard Fantasies (UK, 63 min.) Dir. Posy Dixon Program: Artscapes This is an apt title if there ever was one, for two good reasons. It refers to the name of the 1986
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