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Issue 72

Archival Places

by Jessica Duffin Wolfe
November 1, 2011
Features

Tehran Has No More Pomegranates, Waltz with Bashir, Les Plages d’Agnès, La Mémoire des Anges, and Of Time and the City consider place and time.

Keep Reading

Pointed View: An Open Letter to Wayne Clarkson

by Mark Achbar
November 1, 2008
Features

In asking Telefilm to exercise this power to compensate for a year’s worth of envelope investment lost, my intent is not to gain an unusual advantage over others, but to be treated

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Legends: Curtis’s Charm

by Matthew Hays
November 1, 2008
Features

Curtis’s Charm marked the introduction of a major talent to Canadian filmmaking with director John L’Ecuyer

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The POV Interview: John Walker, Part One

by Marc Glassman
November 1, 2008
Interviews

Over the course of a couple of days—in interviews conducted together in Toronto and then, via phone to Halifax from Ontario—John Walker shared stories with POV‘s editor, Marc Glassman. Here is the

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Festival Download

by Radheyan Simonpillai
November 1, 2008
Festivals

As digital disrupts conventional distribution models, what will happen to festivals in the age of online viewing habits?

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Soundscaping: Robert Marcel Lepage

by Heidi McKenzie
November 1, 2008
Features

Composer Robert Marcel Lepage shares his working philosophy with McKenzie in this extended Soundscaping column.

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Sneaking Through The Middle

by Adam Nayman
November 1, 2008
Features

The coming together of Cirque du Soleil and the Beatles in the stage show Love is recounted in Adrian Wills' All Together Now.

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Lights, Spirit, Action

by Nancy Lanthier
November 1, 2008
Features

In the documentary Fierce Light: When Spirit Meets Action, Velcrow Ripper sets out to document non-violent protests around the world.

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What Remains

by Tom McSorley
November 1, 2008
Features

Frank Cole, the fearless maverick filmmaker, died in the Sahara in 2000. McSorley remembers him well.

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Prime Minster Brian Mulroney appears in a fantastical image. He is pictured from the waist up wearing a flamboyant Liberace-style coat. There is a dazzling background behind him with campaign signs. He looks pale and a bit like a vampire.

CURRENT ISSUE

Issue 126: Fall/Winter 2026

Ladies and Gentlemen, Brian Mulroney is Matthew Rankin's irreverent docufantasia about Canada's 18th PM.

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Canada's #documentary magazine

From makers of the Oscar winning #NoOtherLand, #NA From makers of the Oscar winning #NoOtherLand, #NAZA offers harrowing accounts of a history of violence. 

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A must-see music doc gets an upgrade. 🎵 Larry Wei A must-see music doc gets an upgrade. 🎵

Larry Weinstein walks us through the magic of #SeptemberSongs as it gets a restoration 30 years later. 

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How does #Rush carry on without Neil Peart? 🥁 Sam How does #Rush carry on without Neil Peart? 🥁

Sam Dunn and Scot McFadyn tell us about honouring the late drummer in NEIL PEART: NO ONE'S DISCOPLE as the band looks for someone to keep the beat.

📖 Issue 126 - on stands now!

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🚨 A documentary opening in Toronto for a full week 🚨 A documentary opening in Toronto for a full week? And it's not a music doc?

John Wilson’s THE HISTORY OF CONCRETE makes construction season just a little sweeter. 👷‍♂️

📽 open in theatres Sept. 25 incl @cineplexmovies Varsity

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The @windsorfilmfest announced its full lineup! The @windsorfilmfest announced its full lineup! 

📽  232 features

🏆 4 docs in competition

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And stay tuned for recommendations from this year's fest. 

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From music docs to Musk, our report in @tiff_net D From music docs to Musk, our report in @tiff_net Docs is in!

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There's no crying in the arena! 🐎 #Cheyenne direc There's no crying in the arena! 🐎

#Cheyenne director Taimi Arvidson and riders Allysa Spierings and Emily Collits tell us about bucking bronc and the importance of getting back in the saddle. 

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Producer Mark Selby accepts the People's Choice Do Producer Mark Selby accepts the People's Choice Documentary Award for DARLENE LOVE: I KNOW WHERE I'VE BEEN, directed by Betty Avrich. (Back to back wins!)

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  • The Government Must Defend Our Cultural Sovereignty
  • NAZA Review: Or, How to Score Bonus Points During a Genocide
  • The Documentary Side of VIFF 2026: Some Highlights
  • The Sandbox Trailer: What Happens When You Remove Humans from a Global Crisis?
  • First Comes Love: Nakabingwit Trailer Highlights a Rare Documentary Rom-Com

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Icefields Pkwy, Banff National Park, Alberta, Canada - September 24, 2018: Photographers taking pictures of Beautiful Canadian Rockies Landscape during a cloudy day.

The Government Must Defend Our Cultural Sovereignty

October 2, 2026
Two figures sit on a rooftop, facing each other, in conversation. It is a dark night and the figure on the left is completely obscured by shadow. On the right is an Israeli man.

NAZA Review: Or, How to Score Bonus Points During a Genocide

October 1, 2026
Nannika, representing the alhukwala (medicine person), stands during the sputc ceremony in Bella Coola Valley. The ceremony marks a return to ancestral practice after the collapse of the ooligan run.

The Documentary Side of VIFF 2026: Some Highlights

September 30, 2026
The image shows a large wall of surveillance monitors that capture various aspects of urban life. In the foreground of the picture is the back of a man operating a control panel while facing the wall of monitors. He is wearing a black-sleeved shirt and his hand is manoeuvring a joystick to control the gaze of the monitors.

The Sandbox Trailer: What Happens When You Remove Humans from a Global Crisis?

September 30, 2026
Two women--one Filipina, one white--stand up and lean over a table to share a kiss.

First Comes Love: Nakabingwit Trailer Highlights a Rare Documentary Rom-Com

September 27, 2026

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Prime Minster Brian Mulroney appears in a fantastical image. He is pictured from the waist up wearing a flamboyant Liberace-style coat. There is a dazzling background behind him with campaign signs. He looks pale and a bit like a vampire.

CURRENT ISSUE

Issue 126: Fall/Winter 2026

Ladies and Gentlemen, Brian Mulroney is Matthew Rankin's irreverent docufantasia about Canada's 18th PM.

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