Launched in 2022, Being Seen is an industry guide from the Black Screen Office to facilitate authentic storytelling in Canada's screen sector.
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The Department of Cinema and Media Arts (CMA) in the School of the Arts, Media, Performance and Design at York University invites highly qualified candidates to apply for a professorial stream tenure-track
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Erin Lau and Paul Lewis to serve as interim co-executive directors as Heather Conway transitions to advisory position.
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Highlights from POV Magazine's 116th issue, featuring Hot Docs '22 selections, archival docs and the elements, diary docs, b-ball, and more!
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New initiative from the Fabienne Colas Foundation confronts systemic racism in Canada's screen sector.
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Hot Docs Ted Rogers Cinema will reopen its doors to audiences on September 10. Following strict health and safety guidelines, the cinema will allow patrons to return to the big screen while
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Doc Accelerator Lab Fellow Niya Abdullahi Wants to Enrich Audiences with the Power of Representation
Niya Abdullahi represents a new generation of filmmakers changing the documentary field. She is one of the participants in this year’s Doc Accelerator Lab, supported by Netflix through the Canadian Storytellers Project,
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Canadian Hertiage’s Bill C-10 sets forth amendments to the Broadcasting Act, following a recommendation by the Yale Report to tackle the dominance of tech giants in Canadian screen culture. The centrepiece is
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If one factor marked the Hot Docs 2021 more than any previous live or online iteration, it was the weight of industry. On one hand, the festival’s decision to release all 220
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DOC responds to the NFB’s strategic plan with steps that include restoring production spending and committing to greater racial and filmmaker representation.
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