In Faith Hope Love, a new documentary that just premiered at the 25th edition of Hot Docs Canadian International Documentary Festival, director Katja Fedulova examines the role of women in modern-day Russia.
Keep ReadingThe Bill Murray Stories: Life Lessons Learned from a Mythical Man USA. 70 Minutes Dir. Tommy Avallone. Special Presentations (International Premiere) Bill Murray’s habit of engaging with strangers in unusual ways
Keep ReadingPlaying Hard (Canada/USA, 90 min.) Dir. Jean-Simon Chartier Programme: Special Presentations (World Premiere) “Entertainment is philosophy in motion,” says gamer Jason Vandenberghe towards the end of Playing Hard. The film sees
Keep ReadingMr. SOUL! Dir. Sam Pollard & Melissa Haizlip USA, 102 minutes Special Presentations (International Premiere) Mr. SOUL! weaves together two stories; the development of SOUL! the television show, and the personal evolution
Keep Reading4 Years in 10 Minutes (Serbia, 62 min.) Dir. Mladen Kovacevic Programme: World Showcase (North American Premiere) For many, summiting Mount Everest is synonymous with Achievement with a capital A. It
Keep ReadingTiny Shoulders: Rethinking Barbie (USA, 90 minutes) Dir: Andrea Blaugrund Nevins Programme: Special Presentations (International Premiere) An involving doc operating on various levels, Tiny Shoulders reveals surprising facts about one of
Keep ReadingGrant Baldwin's This Mountain Life is a thrilling and beautifully shot odyssey through the Coastal Mountains of British Columbia.
Keep ReadingMy War (Canada, 98 min.) Dir. Julien Fréchette Programme: Canadian Spectrum (World Premiere) Does the fog of war also cloud over a war documentary? That seems to be the case with
Keep ReadingBehind the Curve (USA, 96 minutes) Dir: Daniel J. Clark Programme: Special Presentations. (World Premiere) In Behind the Curve, director Daniel Clark could have gone for savage mockery in the depiction
Keep Readingon’t Be Nice (USA, 96 min.) Dir. Max Powers Programme: Artscapes (North American Premiere) Filmmakers, programmers, and critics often credit documentary subjects for speaking truth to power. This turn of phrase
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