Although few conventional doc film projects get funded these days without some sort of interactive component, there are still plenty of grumblings among doc folk as to what all the fuss is
Keep ReadingTips and advice for filmmakers from publicists and industry PR veterans about strategies for a successful film premiere.
Keep ReadingA filmmaker remembers the Summer Institute for Film and Television (SIFT) and working with Anthony Minghella.
Keep ReadingDirector Shannon Walsh reflects on bringing the social-change aspect of documentary into the process behind the camera.
Keep ReadingFor documentary filmmakers in the USA, independence is crucial to artistic voice and vision, and to truthseeking and storytelling.
Keep ReadingPeter Wintonick offers a documentary manifesto to help filmmakers negotiate, prepare for, and survive a competitive field.
Keep ReadingDirector Ann Shin recounts her experience making The Defector: Escape from North Korea and learning new ways to see the world.
Keep Reading"It has fallen upon me to inscribe the synthesized thoughts and feelings of a number of people who are working in documentary and independent cinema here in Canada," writes Peter Wintonick.
Keep ReadingWhat does it mean for film festivals to be at the core of the art and business of independent filmmaking, and what are the rights of artists?
Keep ReadingSunny Side of the Doc is international documentary film market for information about international co-production in these timorous times.
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