An interview with Charles Grodin: Rebel with a Cause director James L. Freedman on his film, which screens as the closing night selection of TJFF.
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TIFF announces that the documentary John Candy: I Like Me will serve as the opening night gala of the 50th edition of the festival on Sept. 4.
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The films of David Lynch, iconoclastic director of Blue Velvet, Mulholland Dr., and Twin Peaks, get a straightforward celebration.
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Iranian filmmaker Ali Asgari defies censorship with Higher than Acidic Clouds a metaphorical film about silence, dreams, and freedom.
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Gold Bars: Who the F*ck Is Uncle Ludwig follows the story of a family secret, suspected Nazi gold, and a documentary within a documentary.
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Marlee Matlin: Not Alone Anymore follows the Oscar winning actor's fight for change and accessibility in Hollywood and for better representation for Deaf artists.
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Jesse Moss and Amanda McBaine's Middletown explores the sparks of curiosity fuelled by a high school English teacher who inspired students to see the world anew through cameras.
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The well-worn world of true crime docs goes under the microscope in Zodiac Killer Project, Charlie Shackleton's self-reflexive essay.
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The life and legacy of filmmaker Robert A. Nakamura, aka the "godfather of Asian American media," is examined by his son, Tadashi, in Third Act.
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Matthew Miele explores the many iconic gowns by costumer and fashion designer Bob Mackie in the star-studded Naked Illusion.
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