Searching for Ingmar Bergman (Germany/France, 99 min.) Dir. Margarethe von Trotta Programme: TIFF Docs (North American Premiere) Few filmmakers have an aesthetic that is now synonymous with their names. A film is “Bergmanesque” if
Keep ReadingThe Image Book (Switzerland/France, 84 min.) Dir. Jean-Luc Godard Programme: Masters (North American Premiere) Godard has never been in doubt of his own genius, but at some point he left the rest
Keep ReadingRyuichi Sakamoto: Coda (Japan/USA, 100 min.) Dir. Stephen Schible Ryuichi Sakamoto: Coda sings with a whisper. This quiet and contemplative film offers a portrait in pianissimo of Japanese composer Ryuichi Sakamoto. The 66-year-old
Keep ReadingHitler’s Hollywood (Germany, 105 min.) Dir. Rüdiger Suchsland “What kind of a nation is it that needs poets to be able to kill and to die?” asks Udo Kier in voiceover in Hitler’s
Keep ReadingFilmworker (USA, 94 min.) Dir. Tony Zierra The mad artistry of Stanley Kubrick gets the doc treatment in Filmworker. This documentary is supposed to be a film about Kubrick’s devoted assistant Leon Vitali,
Keep ReadingThere’s nothing more satisfying than watching a group of trailblazing women unabashedly deconstruct a historically patriarchal system. That’s why Amy Adrion’s debut documentary Half the Picture, which played at the 2018 Inside
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This is the story of a voice, its documentary roots, its skilful theatricality, and its impact on the culture and technology. How Canadian actor Douglas Rain gave his voice to 2001: A
Keep ReadingBathtubs Over Broadway (USA, 87 min.) Dir. Dava Whisenant Programme: Artscapes (International Premiere) Forget Bye Bye Birdie. Forget Cats. Forget An American in Paris, Rent, Fiddler on the Roof, Phantom of
Keep ReadingUlrike Ottinger: Nomad from the Lake by die-hard fan Brigitte Kramer doesn’t hide its esteem for Ottinger while celebrating her career.
Keep ReadingMidnight Return: The Story of Billy Hayes and Turkey (USA, 99 min.) Written and directed by Sally Sussman Alan Parker’s 1978 film Midnight Express generally holds up as a Hollywood classic.
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