In Last Flight Home, Ondi Timoner offers a moving portrait of her family's journey navigating the end-of-life process with her father, Eli.
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A personal consideration of Bianca Stigter's Three Minutes - A Lengthening and the history that endures in images and archives.
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Jordan Tannahill's Draw Me Close is a virtual reality/performance piece that takes users through an emotional odyssey.
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In Dear Audrey, Jeremiah Hayes observes filmmaker Martin Duckworth as he cares for his wife, Audrey Schirmer, following an Alzheimer's diagnosis.
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Michelle Melles' Drunk on Too Much Life chronicles her daughter Corinna as she strives towards good mental health.
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In Simple as Water, Megan Mylan observes the plights of four Syrian families displaced by war as the try to reunite and survive.
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An interview with Liz Garbus about her underwater archival odyssey Becoming Cousteau and the extraordinary life world of Jacques Cousteau.
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Gian Cassini's Comala is a potent true crime family saga as the filmmaker explores his father's life as a hitman. He encounters the victims left to tell the tale in a country
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Through Levi’s tale, Becoming Himself offers a message of hope for other trans youths and their families.
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“It usually started with: ‘you were a slave,’ when I was growing up, and that’s just not the case,” director Maya Annik Bedward tells me. We’re discussing what led the Jamaican French-Canadian
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