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My Undesirable Friends: Part 1 - Last Air in Moscow streams on MUBI beginning April 3.

Alanis Obomsawin - Page 3

TIFF 2021 Returns by Celebrating Alanises Obomsawin and Morissette

by Pat Mullen
June 23, 2021September 5, 2021
TIFF

The 2021 Toronto International Film Festival will put a special spotlight on Abenaki filmmaker Alanis Obomsawin, while Canuck rocker Alanis Morissette is among the first titles announced for the fest with the

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Courtney Montour on Mary Two-Axe Earley and Honouring the Legacy of Indigenous Women Activists

by Pat Mullen
May 5, 2021June 21, 2022
Hot Docs/Interviews

An interview with director Courtney Montour about Mary Two-Axe Earley: I Am Indian Again, honouring the Mohawk activist, and drawing upon the work of Alanis Obomsawin.

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30 Indigenous Films from the NFB You Ought to See

by Michelle van Beusekom
May 4, 2020January 3, 2022
Features

Must see Indigenous documentaries and movies from the National Film Board of Canada.

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How to Shoot a Canadian Icon

by Marc Glassman
March 23, 2020November 16, 2021
Features/Photography

Don Dixon discusses his 'Canadian Icons' portrait series of which our cover shot of Robbie Robertson for issue #111 is now a part.

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Change We Can Believe In

by Andrew McIntosh
October 8, 2019January 7, 2022
Essays/Features

Every once in a while, people appear on the political stage with compelling personal narratives and charisma to spare. They’re dedicated and passionate and demonstrate through their actions that they can persevere

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TIFF Review: ‘Jordan River Anderson, The Messenger’

by Pat Mullen
September 8, 2019August 15, 2021
Reviews/TIFF

Obomsawin’s latest doc, Jordan River Anderson, The Messenger, completes the recent and significant six-film chapter in her body of work about the rights of Indigenous children.

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Alanis Obomsawin’s Principled Fight Continues

by Dina Lobo
September 4, 2019August 15, 2021
Features

"If you fight long enough you can win...There is proof of that in the film. The film teaches you that you can never give up. You can win. And it’s possible when

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Review: ‘Merata: How Mum Decolonised the Screen’

by Pat Mullen
April 26, 2019August 28, 2021
Hot Docs/Reviews

Merata: How Mum Decolonised the Screen (New Zealand, 88 min.) Dir. Hepi Mita Programme: Artscapes (Canadian Premiere) In cinema around the world, there’s a fair and long overdue demand to see more

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Racism: Documenting Prejudice

by David Spaner
February 13, 2019January 7, 2022
Essays/Features

Hate. It’s raw, visceral and, in the rising global craziness of 2018, we see it every day. We also see it on screens. Raoul Peck’s documentary I Am Not Your Negro (2016), inspired by

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Caroline Monnet: Reclaiming Space for the Indigenous Renaissance

by Laurence Butet-Roch
August 15, 2018August 31, 2021
Features/Photography

Spotlight on Caroline Monnet, whose work History Shall Speak for Itself puts a mosaic of Indigenous artists, including Alanis Obomsawin, on the walls of TIFF Lightbox during the Scotiabank CONTACT Photography Festival.

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An archival image of rocker Carole Pope seated in a backwards folding chair. She is wearing a black leather jumpsuit and boots. This is a cover for POV issue #125 with the letters POV in bright pink and the subtitle The Antidiva in yellow.

CURRENT ISSUE

Issue 125: Spring/Summer 2026

Antidiva: The Carole Pope Confessions spotlights the career of the Rough Trade rocker.

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My Undesirable Friends: Part 1 - Last Air in Moscow streams on MUBI beginning April 3.

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Sometimes you have to make a horror movie to fund Sometimes you have to make a horror movie to fund a documentary. 😱

#SilverScreamers offers a meta look at the state of film financing, plus another reminder that you're never too old to try new things. 

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Get ready to cream your jeans, because @carole_pop Get ready to cream your jeans, because @carole_pope is our next cover star!

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Is #AI here to save us or to bring the end of days Is #AI here to save us or to bring the end of days?

Directors Daniel Roher and Charlie Tyrrell join us to  talk about The AI Doc: Or, How I Became an Apocaloptimist and raising kids in the age of AI.

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A Russian woman in her 20s stands in a broadcasting studio. She looks up at monitors with an anxious expression. There are several TV screens behind her.

Julia Loktev Talks My Undesirable Friends and Capturing History in the Making

April 3, 2026
A view down the propeller of an airplane, which is flying over mountains.

Vancouver’s DOXA Documentary Festival Announces 2026 Line-up

April 2, 2026
Seven senior citizen stand in a semi-circle facing the camera.

Silver Screamers Review – Meet 2026’s Biggest Scare: Film Financing

April 2, 2026April 4, 2026
Jennifer Baichwal (director, at centre), Peter Mettler (director of photography, right) John Price (camera assistant, at far right), and crowd in Wushan, China, during production of Manufactured Landscapes (2006). [Credit:] Mercury Filmworks / Mongrel Media

On Mentorship: A Veteran Filmmaker Reflects on Sage Advice

March 31, 2026
79-year-old runner Katrine Switzer holds the Olympic torch. She is surrounded by an enthusiastic crowd.

Tough Old Broads Review: These Cookies Never Crumble

March 30, 2026

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An archival image of rocker Carole Pope seated in a backwards folding chair. She is wearing a black leather jumpsuit and boots. This is a cover for POV issue #125 with the letters POV in bright pink and the subtitle The Antidiva in yellow.

CURRENT ISSUE

Issue 125: Spring/Summer 2026

Antidiva: The Carole Pope Confessions spotlights the career of the Rough Trade rocker.

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