Nathan Hilu's art and designs honour the Jewish lives lost during the Holocaust and confront the men responsible for their deaths.
Caiti Blues will leave audiences feeling hopeful thanks to its verité portrait of young singer Caiti Lord.
Is My Living in Vain holds the number one spot in the Hot Docs Audience Award rankings while Someone Lives Here takes the Canadian lead for the Rogers Audience Award.
The interrogation of Hans Blix's handling of the Iraq arms question is made all the more fascinating by the blind spots one sees in Blix Not Bombs.
Playing like a political thriller, Praying for Armageddon sounds the alarm bout the pervasive violence of religious fundamentalism in U.S. politics.
Benoît Bringer's The Rise of Wagner covers the story of the Wagner mercenary group and its ties to Putin, albeit a bit superficially for viewer who have followed the story.
Lukasz Konopa and Emil Langballe ask justice looks like in the aftermath of years of persecution and bloodshed in Theatre of Violence.
Simon Chambers chronicles the dying days of his uncle, David, a former actor who loves to act for the camera in Much Ado About Dying.
El Equipo tells the story of a group of people who tried to change history for the better amid the rule of Argentina's military junta.
An interview with Unsyncable director Megan Wennberg about capturing the stories of a seniors' synchronized swimming team.