Issue 91 - Fall 2013
Jennifer Baichwal, Nick de Pencier, and Edward Burtynsky discuss their latest collaboration, Watermark, a follow-up to their acclaimed essay film Manufactured Landscapes.
Watermark is a continuation of Burtynsky’s work, which is recognizable for his signature big-picture approach to photography and environmentalism.
Read MoreAn interview with Watermark directors Jennifer Baichwal and Nicholas de Pencier about their essay film follow-up to Manufactured Landscapes.
Read MoreAlan Zweig's When Jews Were Funny provocatively and humorously asks: Why were Jews funny, and why aren’t they funny anymore?
Read MoreWith films like Lucien Castaing-Taylor and Véréna Paravel’s Leviathan, Harvard's Sensory Ethnography Lab (SEL) breaks ground for non-fiction.
Read MoreMontreal’s documentary film project Cinema Politica celebrates its 10th anniversary this fall. Founders Svetla Turnin and Ezra Winton look back at their success and discuss the future of an organisation that has gone viral, with over 90 chapters.
Read MoreOn the occasion of their 10th anniversary, the Cinema Politica team chooses their Top 10 moments from their first decade (with one honourable mention.)
Read MoreWith broadcasters demanding companion interactive digital content, are video games the latest form of documentary?
Read MoreUnless the CRTC can be persuaded by powerful lobby groups, we won’t get the chance to revisit program categories and this group licencing regime until 2014.
Read MoreThe Life and Crimes of Doris Payne, The Devil's Lair, Pussy Riot: A Punk Prayer, and 12 O'Clock Boys bring new takes on true crime to Hot Docs.
Read MoreFor documentary filmmakers in the USA, independence is crucial to artistic voice and vision, and to truthseeking and storytelling.
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