Future Shock: documentary filmmaking in the 21st Century.
In part two of a career-ranging conversation with POV’s editor, Nettie Wild talks about her filmmaking process and her documentaries.
The Documentary Organization of Canada is the collective voice of independent and professional media-makers across Canada. We salute its 25 years.
Veteran writer and filmmaker Cole analyzes what makes a doc story work and offers a manifesto on how to make one yourself.
What one Canadian learned at IDFA (International Documentary Filmfestival, Amsterdam).
Kassel may never be a swan, but, you can’t call something with a 24-year history an accident; there is a sophisticated audience that keeps the festival running.
The stakes are high with Pontypool. Canadian film needs more profitable indie pictures to survive and thrive.
Profiling maverick filmmaker and actress Ingrid Veninger, who collaborated on two new films premiering this fall: Only and Nurse. Fighter. Boy.
With an increasing number of filmmakers starting out their careers after studying cinema in school, it’s interesting to investigate what trends towards environmental sustainability are taking place.
If air travel is immoral, and the Internet has contracted geography, then what kind of window is the documentary screen today?
When critics were discussing Bon Cop, Bad Cop upon its release, many called it Canada's first bilingual feature, an honour owed to The Apprentice.