Issue 71 - Fall 2008
Future Shock: documentary filmmaking in the 21st Century.
In part two of a career-ranging conversation with POV’s editor, Nettie Wild talks about her filmmaking process and her documentaries.
Read MoreThe Documentary Organization of Canada is the collective voice of independent and professional media-makers across Canada. We salute its 25 years.
Read MoreVeteran writer and filmmaker Cole analyzes what makes a doc story work and offers a manifesto on how to make one yourself.
Read MoreWhat one Canadian learned at IDFA (International Documentary Filmfestival, Amsterdam).
Read MoreKassel may never be a swan, but, you can’t call something with a 24-year history an accident; there is a sophisticated audience that keeps the festival running.
Read MoreThe stakes are high with Pontypool. Canadian film needs more profitable indie pictures to survive and thrive.
Read MoreProfiling maverick filmmaker and actress Ingrid Veninger, who collaborated on two new films premiering this fall: Only and Nurse. Fighter. Boy.
Read MoreWith an increasing number of filmmakers starting out their careers after studying cinema in school, it’s interesting to investigate what trends towards environmental sustainability are taking place.
Read MoreIf air travel is immoral, and the Internet has contracted geography, then what kind of window is the documentary screen today?
Read MoreWhen critics were discussing Bon Cop, Bad Cop upon its release, many called it Canada's first bilingual feature, an honour owed to The Apprentice.
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