Issue 68 - Winter 2007
Carny documents the carnival life, while Yung Chang’s Up the Yangtze breaks new ground in Canadian film.
Artists Douglas Gordon and Philippe Parreno examined football (soccer) and its most controversial figure in Zidane.
Read MoreI discovered the first lesson of TIFF: not only can you not see everything, you cannot be interested in everything or you will go insane.
Read MoreThe Rencontres internationales du documentaire de Montréal (RIDM) celebrates its 10th anniversary this fall.
Read MoreDutch doc maker Leonard Retel Helmrich applies camera wizardry to compassionate tales of his mother’s native Indonesia.
Read MoreJennifer Baichwal, director of Manufactured Landscapes (2006), on the aesthetics of suffering onscreen.
Read MoreNearly 50% of film school students are women and it’s little wonder they quickly get soul-worn and waylaid on their way to the director’s chair.
Read MoreOn the silver anniversary of Films Transit, the finest sales agency for documentaries in Canada, CEO Jan Rofekamp speaks candidly on his career and the changing doc scene.
Read MoreYung Chang's astonishing breakthrough Up the Yangtze examines the development of the Three Gorges Dam and China in a state of transition.
Read MoreDirector Alison Murray and photographer Virginia Lee Hunter captured the colourful world of carnivals for their film Carny. Hunter’s photos illuminate the life for POV.
Read MoreCelebrating the 20th anniversary of IDFA, the International Documentary Filmfestival Amsterdam, with a POV parlour game.
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