Issue 58 - Summer 2005
Phil Hoffman cultivates a singular experimental oeuvre, while the iconoclastic Errol Morris joins POV for an in-depth interview.
Henry Alex Rubin and Dana Adam Shapiro’s Murderball, a bracingly unsentimental look at the culture of quadriplegic rugby, is not only mainstream documentary filmmaking of a high order, but also undoubtedly the best movie ever inspired by a story in Maxim magazine. ARead More
The 18th annual Images Festival boasted a fresh artistic programmer—Jeremy Rigsby, courtesy of Windsor’s renowned Media City—and a stronger emphasis on internationalism. Along with that commitment to international content, this year’s festival showcased an exhaustive potpourri of documentary strategies andRead More