Issue 107 - Fall/Winter 2017
Natalie Boll and LaTiesha Fazakas’s Meet Beau Dick: Maker of Monsters and Melanie Wood’s Shut Up and Say Something spotlight the contributions of Indigenous artists. Subscribe today!
Denis Côté's A Skin So Soft is a playful and thoughtful hybrid portrait of bodybuilders that considers masculinity from new angles as the muscle men sculpt their bodies with a rigourous regimen of dieting, cardio, weightlifting and manscaping in pursuit
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This year’s Canadian documentary selection at the Vancouver International Film Festival is highlighted by a pair of portraits of gifted British Columbia-based artists: Natalie Boll and LaTiesha Fazakas’s Meet Beau Dick: Maker of Monsters, about the eponymous Kwakwaka’wakw master carver and mask
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Globalization and Its Discontents is Knowledge Network's 10-week programme of documentaries from Canada and around the world.
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You might be surprised to find out that the story of the Syrian Civil War to date is hotly contested ground. Not the war: the story.
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Acid and its chemical relatives—the family known as psychedelics—have spawned musical innovations, political ideals, and societal revolutions. Also: wasted time, ill-spent youths and evaporated minds. From a cultural perspective, psychedelics have led to some results that are less than worthy:
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If you’ve seen Frederick Wiseman’s Titicut Follies, you’ve met Jim. And probably never forgotten him.
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Is Raymond Depardon a photographer who is also a filmmaker, or vice versa? The question arises as one contemplates the truly prodigious 60-year output of this enigmatic visual artist,
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Spain is burdened by its history but also creatively inspired by it, and, overall, the forces of light seem to be gradually winning.
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