Review: ‘Strike a Pose’
The dancers of Madonna: Truth or Dare come back in fashion in Ester Gould and Reijer Zwaan's empowering portrait.
Review: ‘Don Juan’
A coming-of-age story about a young Russian man whose autism has made him socially awkward, Don Juan aspires toward crowd-pleaser status.
Review: ‘My Land’
Jian Fan's My Land shows China's propaganda machine in full force, yet coveys the strong spirit of a people and a nation under duress.
Review: ‘Fireflies in the Abyss’
Fireflies in the Abyss by Chandrasekhar Reddy is dark and sobering, but ultimately hopeful for future generations.
Review: ‘Future Baby’
Future Baby offers a talking heads piece that debates the relationship between natural reproduction and genetic engineering.
Review: ‘Contemporary Color’
The Ross Brothers' Contemporary Color is an arena-sized concert film devoted to the esoteric art of high school colour guard dance routines.
Review: ‘The Revolution Won’t Be Televised’
The Revolution Won't Be Televised is a David vs. Goliath story featuring Senegalese rappers Thiat and Kilifeau.
Review: ‘The Man Who Saw Too Much’
The Man Who Saw Too Much probes the psyche of a man who has confronted horror since childhood and finds refuge in his inner child.
Review: ‘The Gatekeeper’
Gatekeeper by Yung Chang tells the story of retired police officer Yukio Shige who bravely patrols the cliffs and saves lost souls.
Review: ‘Credit for Murder’
A crime doc loaded with twists, Vladi Antonevicz’s mordantly ironic Credit for Murder revolves around a horrific killing in a Russian forest.