For over a decade, Mark Cousins has provided some of the most ambitious filmmaking regarding the art of cinema itself. His epic The Story of Film: An Odyssey was structured as a
Keep ReadingIf Canada is to live up to its egalitarian promise, the mandate of the police and the security state must be radically rethought and restructured. In bearing witness and deepening understanding, documentaries
Keep ReadingTelefilm Canada announced financial support for 22 feature documentaries. The projects were selected from 76 applications to the Theatrical Documentary Fund. Headlining the announcement is Buffy Sainte-Marie: Power in the Blood, a
Keep ReadingSince 2017, I have had the distinct pleasure of serving as the chair of a preliminary judging committee for the Peabody Awards in broadcasting and digital media. Along with two graduate students
Keep ReadingLast summer, I’ll Be Gone in the Dark took audiences on a hunt for a killer. Adapting the book, work, and dogged curiosity sparked of cold case sleuth Michelle McNamara, I’ll Ge
Keep Reading“It usually started with: ‘you were a slave,’ when I was growing up, and that’s just not the case,” director Maya Annik Bedward tells me. We’re discussing what led the Jamaican French-Canadian
Keep ReadingSahtu Dene musician Jay Gilday sits on a rooftop in Yellowknife, with his acoustic guitar and a microphone aligned with the treetops. Shot on a propped-up iPhone 12, this is the opening
Keep Reading“My name is Chantal Akerman. I was born in Brussels, and that’s the truth.” —Chantel Akerman in Chantal Akerman by Chantal Akerman (1997) In 1975, a film by an unknown young Belgian
Keep ReadingDoc Accelerator Lab Fellow Niya Abdullahi Wants to Enrich Audiences with the Power of Representation
Niya Abdullahi represents a new generation of filmmakers changing the documentary field. She is one of the participants in this year’s Doc Accelerator Lab, supported by Netflix through the Canadian Storytellers Project,
Keep ReadingThe timeliness of a poem, painting, novel or film draws not only on its origin and response but also its capability to speak to the present long after the fact. This is
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