A Mongolian farming couple re-enacts their reluctant move in The Wolves Always Come at Night, an innovative hybrid film by Gabrielle Brady.
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Egyptian artist Wael Shawky stage a performance piece of historical significance in Drama 1882 with its take on the Urabi Revolution.
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Alison McAlpine talks about following donkeys en route to an observatory through the Atacama desert in perfectly a strangeness.
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Alice Shin's Landscapes of Home offers perspectives on the history of Japanese internment camps in Canada and the complexity of dual identities.
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The possibility of the return of the Montreal Expos to their home city receives new consideration in Nos Amours: The Saga of the Montreal Expos.
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Four women lead peace talks and conversations about women's rights leading up to the withdrawal of American troops in The Sharp Edge of Peace.
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Billy and Molly: An Otter Love Story tells how an adopted otter gave a man a new lease on life.
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An interview with Seguridad director Tamara Segura about revisiting her past and getting her family to discuss painful memories of her father.
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An interview with composer Ari Kinarthy of VIFF opener Ari's Theme.
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Iris Ng is a prolific cinematographer who has shot documentaries including Stories We Tell, The League of Exotique Dancers, and Migrant Dreams.
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