Sofia Bohdanowicz and Deragh Campbell occupy a rare space in the Toronto film scene. You can’t discuss one without mentioning the other. The duo bring their latest collaboration home with Point and
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The Boy from Medellín is a surprising near-miss from director Matthew Heineman with its portrait of Colombian rapper J. Balvin that doesn't quite go all in.
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No Ordinary Man brilliantly rewrites the past as directors Aisling Chin-Yee and Chase Joynt and writer Amos Mac correct the story of jazz musician Billy Tipton through voices he inspired.
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76 Days director Hao Wu discusses his film that takes audiences to the front lines of the coronavirus pandemic with an urgent cinema verité portrait of the outbreak in Wuhan.
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Directors Liz Garbus and Lisa Cortés discuss their new film All In: The Fight for Democracy, which features Stacey Abrams and the history of voter suppression.
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The niggling question that The Golden Girl doesn’t quite answer, though, is why the officials should bother now. Răducan’s plight, valid as it is, comes 15 years after the events and the documentary arrives
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Tatyana McFadden, subject and producer of Netflix’s Rising Phoenix, discusses her film about the history of the Paralympic Games and Paralympians’ fight for equity and visibility.
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Driven to Abstraction (USA, 84 min.) Dir. Daria Price Not every painting needs to be the Mona Lisa to be admired, but two portraits of the same subject by different artists inevitably
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Two-time Academy Award winner Barbara Kopple discusses her Iranian Hostage Crisis doc Desert One, interviewing President Jimmy Carter, Argo, and a career in documentary.
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No documentary has every been nominated for the Academy Award for Best Picture. Could that change in 2020 as docs provide the windows into the world that we're all craving right now?
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