Ryuichi Sakamoto: Coda (Japan/USA, 100 min.) Dir. Stephen Schible Ryuichi Sakamoto: Coda sings with a whisper. This quiet and contemplative film offers a portrait in pianissimo of Japanese composer Ryuichi Sakamoto. The 66-year-old
Keep ReadingHitler’s Hollywood (Germany, 105 min.) Dir. Rüdiger Suchsland “What kind of a nation is it that needs poets to be able to kill and to die?” asks Udo Kier in voiceover in Hitler’s
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Eugene Jarecki tours Elvis's America in Presley's Rolls Royce with musicians and celebrities who find the king of metaphors for the nation.
Keep ReadingWhitney (USA/UK, 120 min.) Dir. Kevin Macdonald Whitney might be the first documentary made about Whitney Houston with the full authorization of her family but don’t let that much trucked-about showbiz line fool
Keep ReadingFilmworker (USA, 94 min.) Dir. Tony Zierra The mad artistry of Stanley Kubrick gets the doc treatment in Filmworker. This documentary is supposed to be a film about Kubrick’s devoted assistant Leon Vitali,
Keep ReadingThe Oslo Diaries (Canada/Israel, 97 min.) Dir. Mor Loushy, Daniel Sivan The late Shimon Peres gives his final interview in The Oslo Diaries. Appropriately enough, directors Mor Loushy and Daniel Sivan afford the
Keep ReadingWestwood: Punk, Icon, Activist (UK, 80 min.) Dir. Lorna Tucker Vivienne Westwood seems like a real pain in the ass. It would be an understatement to call her a difficult subject. She
Keep ReadingDesign Canada (Canada, 74 min.) Dir. Greg Durrell The question of a “brand identity” is difficult to tackle. Corporate values, principles, history, and mandates combine with consumer-friendly concision. Now imagine this entity
Keep ReadingAmerican Animals (USA, 100 min.) Dir. Bart Layton American Animals spins the phrase “based on a true story” on its head. This innovative and exhilarating docu-drama hybrid from Bart Layton (The Imposter) masterfully
Keep ReadingBecoming Who I Was (South Korea, 96 min.) Dir. Chang-Yong Moon, Jin Jeon Programme: Special Presentations (North American Premiere) Despite his young age—five years old when production for this eight-years-in-the-making doc began—Padma
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