"This film tries to project the future, but in doing so, it looks at the past," says Igor Drljača on his documentary The Stone Speakers, which offers an unconventional of Bosnian tourist
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Jamie Miller’s Prince’s Tale, Sophy Romvari’s duo Norman Norman and Pumpkin Movie, and Sofia Bohdanowicz’s Veslemøy’s Song highlight some of the newer voices in Canadian documentary. The films are loosely connected by themes of mortality, history, legacy, and
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Shasha Nakhai’s feature documentary debut Take Light is an absorbing character-driven study of the country’s fight for sustainability amidst post-colonial corruption. Nakhai’s film highlights ordinary citizens caught within a power struggle both
Keep ReadingWall (Canada, 78 min.) Dir. Cam Christiansen In 2018, “wall” is a volatile word. Donald Trump’s oft-threatened wall on the USA/Mexico border epitomizes the current White House administration’s deranged, sensationalist, and polarizing attitude
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I’m generally opposed to the idea of working vacations, but transcribing an interview with Cielo director Alison McAlpine while at my cottage gave her words extra gravity. There is something about the stars that
Keep ReadingRyuichi Sakamoto: Coda (Japan/USA, 100 min.) Dir. Stephen Schible Ryuichi Sakamoto: Coda sings with a whisper. This quiet and contemplative film offers a portrait in pianissimo of Japanese composer Ryuichi Sakamoto. The 66-year-old
Keep ReadingHitler’s Hollywood (Germany, 105 min.) Dir. Rüdiger Suchsland “What kind of a nation is it that needs poets to be able to kill and to die?” asks Udo Kier in voiceover in Hitler’s
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Eugene Jarecki tours Elvis's America in Presley's Rolls Royce with musicians and celebrities who find the king of metaphors for the nation.
Keep ReadingWhitney (USA/UK, 120 min.) Dir. Kevin Macdonald Whitney might be the first documentary made about Whitney Houston with the full authorization of her family but don’t let that much trucked-about showbiz line fool
Keep ReadingFilmworker (USA, 94 min.) Dir. Tony Zierra The mad artistry of Stanley Kubrick gets the doc treatment in Filmworker. This documentary is supposed to be a film about Kubrick’s devoted assistant Leon Vitali,
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