Director Reid Davenport discusses creating an aesthetic of radical disability and empathy.
Keep Reading![] In a reflection of an unmarked storefront is a grayish silhouette of a man using an electric wheelchair. Behind the man is a spectacular red and yellow circus tent.](https://povmagazine.com/wp-content/uploads/2022/01/I-DIDNT-SEE-YOU-THERE-Lead-Still-480x384.jpeg)
Alex Pritz's collaborative documentary The Territory observes the Uru-eu-wau-wau tribe of Brazil and the fight to save the Amazon.
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In The American Dream and Other Fairy Tales, Abigail Disney looks back on her family legacy to ask why capitalism provides for so few.
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Tania Anderson’s The Mission is a fascinating look at American teens who fly to Finland to spread the word of their religion.
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Sundance adds Navalny from Toronto-born director Daniel Roher as the final title in the festival's U.S. Documentary Competition.
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Tantura offers a metaphorical dig through Israel's painful history and national mythology.
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Lee's miscarriage of justice drives Free Chol Soo Lee , but the nuances in his story as the perpetual outsider are what stay with you.
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Ramin Bahrani's 2nd Chance is a fascinating and sophisticated tale of the limitations of control, and the vagaries of deceit and betrayal
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Rarely has a documentary challenged our assumptions about history and its ability (or right) to bring people back to life like Framing Agnes does.
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To the End is Rachel Lears' follow-up to Knock Down the House and observes four young women, including AOC, fighting for the Green New Deal.
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