In the Rearview provides a portrait of the refugee crisis in Ukraine with a unique road movie along the ride to freedom.
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Road movies directed by women display a sense of curiosity in what is traditionally one of cinema's more male-dominated genres.
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Director Sierra Urich embarks on a journey with her mother and grandmother to learn her Iranian roots in Joonam.
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Alaskan Nets observes the players of the Metlakatla Chiefs as the become the pride of the Tsimshian community.
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The Long Rider adapts Felipe Leite's memoir about his 10,000km trek on horseback from Calgary, Alberta to his birthplace of São Paulo, Brazil.
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In Haiti, the term zo reken (meaning “Shark Bone”) refers both to a local cane alcohol and the popular 4×4 Toyota Land Cruiser that can be seen weaving through the congested streets.
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In zo reken, Emanuel Licha’s second feature-length documentary, the powerful symbolism of white Toyota Land Cruisers, commonly used by international NGOs and the police, is turned on its head. “This vehicle means
Keep ReadingL.A. Tea Time (Canada, 82 min.) Dir. Sophie Bédard-Marcotte Program: Markers “Hi, Miss July. Um…hi, Miranda? Hi, my name is Sophie and I am a filmmaker based in Montreal,” director Sophie Bédard-Marcotte
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Eugene Jarecki tours Elvis's America in Presley's Rolls Royce with musicians and celebrities who find the king of metaphors for the nation.
Keep ReadingCombining original songwriting, dry humour, and creative storytelling, American Interior is a unique tale that is sure to leave audiences smiling.
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