An interview with Watermark directors Jennifer Baichwal and Nicholas de Pencier about their essay film follow-up to Manufactured Landscapes.
Keep ReadingWatermark is a continuation of Burtynsky’s work, which is recognizable for his signature big-picture approach to photography and environmentalism.
Keep ReadingLiz Marshall's The Ghosts in Our Machine follows photographer and activist Jo-Anne MacArthur as she fights for animal rights.
Keep ReadingStan Douglas’s visually complex works aren’t just mechanically and stylistically clever, they offer constellations of carefully researched historical references, and poetic and rigorous intellectualism.
Keep ReadingAs the lone Canadian at the esteemed photography agency Magnum, Towell used a small camcorder that Sony gave to some of the company’s shooters as a proposed experiment
Keep ReadingDirector Alison Murray and photographer Virginia Lee Hunter captured the colourful world of carnivals for their film Carny. Hunter’s photos illuminate the life for POV.
Keep ReadingIs the acclaimed Manufactured Landscapes coolly representative of a pervasive yet unacknowledged nihilism in documentary?
Keep ReadingPerdue examine the controversial work of photographer Sally Mann and that of Steve Cantor, the documentarian who has profiled her twice on screen
Keep ReadingWhat is the difference between moving and still image? Tong investigates an aesthetic issue, placing it in an historical context
Keep ReadingIn Manufactured Landscapes, director Baichwal, producer Nick de Pencier and cinematographer Peter Mettler join forces to profile photo icon Ed Burtynsky. Nayman looks at their creative process.
Keep Reading