Peter Wintonick offers a documentary manifesto to help filmmakers negotiate, prepare for, and survive a competitive field.
Keep ReadingDocumentarians love to make earnest, socially engaged films about serious issues like the environment, but how is filmmaking sustainable?
Keep ReadingHaving attended the ZeroOne festival of electronic art and symposium of the Inter-Society for Electronic Art (ISEA), Wolfe reports on how new media will affect Canada’s indie scene in the coming few
Keep ReadingShih traces the rapid growth of Asian-Canadian filmmaking through the 10th anniversaries of festivals in Toronto and Vancouver.
Keep ReadingOne of the most radical events in Toronto history, Nuit Blanche brought over 420,000 people on the street overnight to look at art. Elia, Perdue and Cole tell the story of a
Keep ReadingOne of the most radical events in Toronto history, Nuit Blanche brought over 420,000 people on the street overnight to look at art.
Keep ReadingEzra Winton’s documentary screening programme at Concordia University in Montreal regularly draws 400 people. How does he do it—and can it grow?
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After an artistic lifetime spent educating those of us who should have known of these things long ago, Obomsawin now wishes to return to the most important link in the chain and
Keep ReadingIn a remarkable career that has just entered its fiftieth year, Allan King is among Canada's most distinguished filmmakers.
Keep ReadingNuit Blanche turned out to be more avant-garde than a new façade or exhibition space could hope to be because it was a gift of interconnectedness, a kind of “positive emotional activism.”
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