During the 1990s, when working with producers as a DOP, deciding on which video format to shoot was pretty simple. Beta SP was the common denominator. But now, there are many more
Keep ReadingFor the past several years, Winnipeg has been home to writer and filmmaker Clive Holden, the proprietor of Cyclops Press, and an intense observer of the urban emotional landscape. Holden’s ambitious film
Keep ReadingWhen Ali Kazimi’s latest film Continuous Journey premiered at the 2004 Hot Docs festival, the atmosphere in Toronto’s Royal Cinema was electric. Canada’s documentary filmmaking community was out in force as were a
Keep Reading’s fitting that the feature documentary’s rise in profile has coincided with an era of unprecedented information control. What’s unfortunate is how often the films misinterpret control as concealment. For most of
Keep Reading“Imagine you’re a Roman Centurion.” Bare legged, draughty uniform, stationed in the damp northern colony of Britain surround by hostile natives—but enough about my school days. Although, that really was my first
Keep ReadingMake us a movie, a story you’ll tell in dancing light, take us to the show, weave strips of focused vision peeled from the swelling surface of what you live, see, believe.
Keep ReadingBRITISH COLUMBIA — Katherine Dodds Adam’s Eyes Adam is 12-year-old boy. His mother is a filmmaker. Adam also has a form of autism known as Asperger’s Syndrome. Director/Producer and mother Marianne Kaplan decided to
Keep ReadingThere is an indelible moment in Peter Raymont’s documentary Shake Hands With the Devil in which retired Canadian General Romeo Dallaire, ten years removed from his ordeal as the head of the embattled U.N.
Keep ReadingDuring the top half of the 1990s, Steve Reinke became not only a high-profile video artist but also a bona-fide Art Star. His vehicle was the serial-conceptual project The One Hundred Videos.
Keep Reading“WE NEED TO UNDERSTAND THE DARKNESS. ESPECIALLY WHEN WE FACE THE LIGHT. IF WE TURNAROUND, THERE IS ONLY DARKNESS.”— Anonymous female voice Delivered sombrely, the opening quote of Velcrow Ripper’s new feature documentary ScaredSacred, sets up beautifully the overriding theme of the film: to move
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