When Nettie Wid’s KONELĪNE: our land beautiful (2016) collected three Canadian Screen Award nominations this year, it was another highlight in British Columbia’s rich documentary legacy. It’s a history of innovation, resilience and
Keep ReadingAlberta’s competing identities are reflected in the visual economies that comprise its documentary history, but they are also constituted by it.
Keep ReadingSaskatchewan film is innovative, reflective work that leans toward the personal, yet tells a story specific to a part of the country.
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