An interview with Mistress Dispeller director Elizabeth Lo on filming a love triangle in which all sides have equal weight.
Keep Reading
Highlights in TIFF's Wavelengths and Classics line-ups include Youth (Spring), Pictures of Ghosts, He Thought He Died, Artie Shaw: Time Is All You've Got, and L'Amour Fou.
Keep Reading
Road movies directed by women display a sense of curiosity in what is traditionally one of cinema's more male-dominated genres.
Keep Reading
Film diaries: the most personal mode of filmmaking in the 21st century?
Keep Reading![] In a reflection of an unmarked storefront is a grayish silhouette of a man using an electric wheelchair. Behind the man is a spectacular red and yellow circus tent.](https://povmagazine.com/wp-content/uploads/2022/01/I-DIDNT-SEE-YOU-THERE-Lead-Still-480x384.jpeg)
Director Reid Davenport discusses creating an aesthetic of radical disability and empathy.
Keep Reading
“My name is Chantal Akerman. I was born in Brussels, and that’s the truth.” —Chantel Akerman in Chantal Akerman by Chantal Akerman (1997) In 1975, a film by an unknown young Belgian
Keep Reading