Film diaries: the most personal mode of filmmaking in the 21st century?
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![] In a reflection of an unmarked storefront is a grayish silhouette of a man using an electric wheelchair. Behind the man is a spectacular red and yellow circus tent.](https://povmagazine.com/wp-content/uploads/2022/01/I-DIDNT-SEE-YOU-THERE-Lead-Still-480x384.jpeg)
Director Reid Davenport discusses creating an aesthetic of radical disability and empathy.
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“My name is Chantal Akerman. I was born in Brussels, and that’s the truth.” —Chantel Akerman in Chantal Akerman by Chantal Akerman (1997) In 1975, a film by an unknown young Belgian
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