Review of the Oscar nominated short documentaries perfectly a strangeness, The Devil Is Busy, Armed with Only a Camera, Children No More: "Were and Are Gone" and All the Empty Rooms.
An interview with EPiC: Elvis Presley in Concert film editor and executive producer Jonathan Redmond about his electric archival portrait of the King.
Remembering Frederick Wiseman, the director of documentaries including Titicut Follies, National Gallery, Menus-Plaisirs: Les Troisgros, and other "Wiseman-esque" films.
FIPRESCI announces nominees for inaugural Documentary Grand Prix with the winner to be unveiled at Warsaw's Millennium Docs Against Gravity in May.
On the documentaries of Spike Lee and an artist who never shies away from the truth, whatever form the story takes.
Artist and activist Fernando Valencia makes it his mission to create a dub of The Lion King in the Indigenous language Quechua in Runa Simi.
How mockumentaries like The Dirties, Punishment Park, and The Clowns play with our suspension of disbelief and the line between fiction and non-fiction.
Larry Herbert, aka the Pantone man, tells how his system for matching colour helped revolutionize industry standards in The King of Color.
Brett Ratner's portrait of First Lady Melania Trump offers the laziest kind of propaganda and the nadir of celebrity portraiture.
An interview with Nuisance Bear directors Jack Weisman and Gabriela Osio Vanden on their Sundance Grand Jury Prize winning documentary.