Wim Wenders discusses his documentary Pina, working in 3D, and his long career spanning documentary, drama, and hybrids of the two forms.
Look to any bazaar or marketplace and you’ll find peddlers carefully jostling in hierarchical ways, where the louder, noisier and bigger characters get the lion’s share of attention.
It’s a well-worn critical cliché to say that a particular film is “as boring as watching paint dry." Does the Reel Artists Film Festival prove otherwise?
Isacsson’s compassionate and committed documentaries embrace issues concerning ecology, the homeless and aboriginal rights.
Contrary to anecdotal evidence, television and its linear schedule are not only not dead, but they’re actually not dead because of…the internet.
World renowned Canadian documentary film producer Tom Daly died in Montreal on September 18, 2011, aged 93, after a long illness.
Legendary NFB producer Tom Daly mentored Rubbo, playing a crucial role in the development of personal-doc filmmaking.
Docutainment type filmmaking is here to stay, as are sponsored docs and docs that aren’t really docs, so how does one evaluate the ethics?
You Don’t Like the Truth: Four Days Inside Guantanamo, The Road to Guantanamo, and The Guantanamo Trap find a damning symbol for the Bush era.
Tehran Has No More Pomegranates, Waltz with Bashir, Les Plages d’Agnès, La Mémoire des Anges, and Of Time and the City consider place and time.