I discovered the first lesson of TIFF: not only can you not see everything, you cannot be interested in everything or you will go insane.
Canada's Documentary Magazine
After an artistic lifetime spent educating those of us who should have known of these things long ago, Obomsawin now wishes to return to the most important link in the chain and help provide them with the material they need to maintain it.
In a remarkable career that has just entered its fiftieth year, Allan King is among Canada's most distinguished filmmakers.
Artists Douglas Gordon and Philippe Parreno examined football (soccer) and its most controversial figure in Zidane.
Nuit Blanche turned out to be more avant-garde than a new façade or exhibition space could hope to be because it was a gift of interconnectedness, a kind of “positive emotional activism.”
Montreal's film festival scene is booming as competition grows between Festival des Films du Monde, Festival du Nouveau Cinéma, and RIDM.
At this year’s Hot Docs, it became clear that broadcasters are insisting on upgrading quickly to HD (high definition).
Kathleen M. Smith remembers Roberto Ariganello, who passed away on August 13, 2006. He was a respected filmmaker, teacher, and mentor.
When Bensimon was appointed NFB Film Commissioner, he embarked on an ambitions five-year plan. Who well did he do? A conversation with Bensimon and Tom Perlmutter.
Established in 1989-90 by Zacharias Kunuk, Paul Apak, Pauloosie Qulitalik and Norman Cohn, Isuma has been a nexus for community-based filmmaking.